Arts & Illustrations
Articles on artifacts, painting, and calligraphy


Marvelous Attainments of Creation: The Paintings of Lü Ji

Lü Ji (style name Tingzhen, sobriquet Leyu), a native of Ningbo in Zhejiang, was a famous court painter of the middle Ming dynasty. Many details of his life are still unknown, so only through records of related individuals and his promotion at court can we infer that ......

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From the Brush of Xuande: Painting and Calligraphy of the Ming Emperor Xaunzong

The Ming dynasty emperor Xuanzong (1399-1435) was surnamed Zhu and had the given name Zhanji and the self-styled sobriquet Changchun zhenren ("Immortal of Everlasting Spring"). The eldest grandson of Emperor Chengzu, he was the fifth ruler of the Ming dynasty and sat on the throne from 1426 to 1435 with the reign name Xuande (being also known posthumously by his temple name Xuanzong). ......

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The Mystery of Bronze

"The Mystery of Bronzes" is an exhibition that attempts to use modern high technology forms of multimedia facilities to portray the development of high technology in the Shang and Chou dynasties, which took the form of smelting metals and casting bronze objects. ......

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Uncanny Ingenuity and Celestial Feats -- The Carvings of Ming and Qing Dynasties

Carving is one of the oldest crafts developed by mankind. Archaeological excavations and literature sources show that early primitive societies had already learned to make utilitarian or decorative objects out of materials readily available in nature, such as jade, stone, bamboo, wood, ivory, horn, and bone. ......

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The Bell and Cauldron Inscriptions–A Feast of Chinese Characters: the Origin and Development

The foundation of Chinese culture was laid four thousand years ago in the remote ages of Three Dynasties (c. 2070 ~ 221 B.C.E.): Xia, Shang, and Zhou, during which Rites and Music acquired the status of the keystone of society. Their importance is illustrated by the fact that Confucius (551 ~ 479 B.C.E.) often praised the "Instituting of Rites and Making of Music" by Duke of Zhou as the two greatest paragons of cultural institutions. ......

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