Mongolian Madrigal-Symphony by Li Tai-Hsiang (蒙古牧歌-李泰祥)
I. Lyrics (translated from Chinese)
Riding horses outside the Great Wall, there is good scenery at the border-fortress. The grass is long and horses are strong.
The Mongolians pasture cattle and sheep. At the river bank of the Yellow Sea and beside the Mt. Yinshan, a hero is riding a horse to pass the bridge.
With loneliness, he looks over the setting sun. The tinkling camel bell adds even more miserable feeling.
The horse continues running but the road seems even longer. The sky is grey, the field is vast. Hero rides his horse to go down the hills.
On the Mongol grassland, enermy troops are crossing the border. The sand dust spreads boundlessly and northern wind is so strong.
But the enemy troops are even wilder than sand and winds. The Yellow Sea is deep, the Yellow Sea is violent; however, the enmity is deeper and longer than the Yellow Sea.
There are storms in homeland. Jackals and wolves are walking on the range lands. The bosom grass has turned yellow.
Hero drives away jackals and wolves at roots of Mala Mountain. The storms are put down and jackals and wolves are driven away. Hero rides his horse back to homeland.
Summary / Story:
The grassland is big, but it is not as big as the sky and earth. While mounting on a horse, Mongolians are the most agile and bravest riders. Just like instructions given by Genghis Khan to Mongolians, “When climbing the roots of a mountain and pointing at ferry point of the ocean, do not hesitate the great distance; just go and you will arrive there. Do not draw back because of heavy burden; just carry on the shoulder, you will lift it up. The teeth we use to eat meat are in our mouth, but the teeth that eat people are in our heart.” With such domineering power, the Mongolians developed political power that united the Eurasia in the thirteenth century. However, after Genghis Khan passed away, the strong Mongol Empire also soon became the past. In memory of ancestors’ heroic spirit, the Mongolians sing this “Mongolian Pastoral Song” to appease the regret of untimely existence and also call to mind ancestors’ boom period at the time.
III. Manuscript
Copied manuscript (page 1) of “Mongolian Madrigal” for violin I (1981)
Copied manuscript (page 2) of “Mongolian Madrigal” for violin I (1981)